Josh Jacksonīeavis and Butt-Head made MTV’s lack of music much more palatable. But he really just wants to be a folk-singer. Made in Mexico, Bender is a sociopath of steel (er, well, iron, titanium, lead, zinc, dolomite and nickel), who has kidnapped Jay Leno’s head and sent his own son to robot hell. Peppa Pig is geared toward the youngest audience of any character on this list, but the adorable piglet’s British accent and gentle humor have melted the hearts of adults not just in the U.K. Many of these characters have expanded beyond their cartoon origins into other media, but for the purposes of this list, we will only be examining these characters as they appear in cartoons, originating either from the show itself or corresponding comics and books. hold within the realm of animation in the 2020s. With the world of cartoons changing so dramatically, we decided it was time to update our list of the top 50 cartoon characters of all time, taking into account the cultural influence, relatability, and relevance these animated humans, animals, vegetables, etc. Western cartoons have never been as varied as they are now, and I believe they have the potential to reach the same cultural status anime took decades ago in Japan. Many employ wittier humor, more complex characters and deeper stories to engage those of any age, while even more target teens or adults as their prime audience, giving them the ability to tell relatable, powerful and hilarious stories within the realm of animation. No longer are cartoons something only for children to enjoy on Saturday mornings. Traditional cable networks have created new and exciting characters and worlds in animation, while streaming platforms have allowed even more creators to make the animated shows they want to make. Sure, new episodes of The Simpsons, Family Guy, South Park and SpongeBob Squarepants are churned out each year like clockwork, but they’re only the tip of the iceberg. (In the series, Questel also gave voice to Swee'pea.) During her long career as a voice actor, she also lent her distinctive abilities to such cartoon figures as Winky Dink, Little Audry and Casper, the Friendly Ghost.Cartoons have changed a lot in the decade since Paste originally published this list. Partly due to that pressure and partly because the series' popularity was waning due to changing tastes, Fleischer ended the Betty Boop shorts in 1939 with "Yip, Yip Yippy!." Beginning in 1933, Fleischer had also tapped Questel to lend her talents to the character of Olive Oyl in the Popeye cartoons, more than 450 of which were produced. The provocative character, noted for her short skirts and flirtatious manner, came under fire from women's clubs in the late 1930s. The bob-haired, saucer-eyed Betty Boop became a popular phenomenon, spawning everything from dolls to playing cards to candy to a syndicated comic strip. ![]() Over an eight year period, Questel provided the sweetly saucy child-like tones for Betty (and the animators incorporated many of Questel's mannerisms) in more than 100 shorts, including "Boop-Oop-a-Doop" (1932), "Snow White" (1933) and the Oscar-nominated "Riding the Rails" (1938). In 1931, Max Fleischer signed her to provide the vocals for the Kane-inspired cartoon figure Betty Boop. An agent immediately signed Questel and before long she was appearing on the vaudeville circuit as a singer and impressionist, imitating performers from Fanny Brice to Maurice Chevalier. ![]() At age 17, the Bronx-born singer-actress won a talent contest mimicking the then-popular baby-voiced entertainer Helen Kane. Petite, with a high-pitched, rounded voice, Mae Questel was the voice behind such cartoon figures as Betty Boop, Olive Oyl and Little Audry.
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